Seabiscuit
On
a drab Detroit side street in August, 1936, two
hitchhikers hopped down from their last ride and
walked onto the backstretch of Fair Grounds Racecourse.
The stouter man was a jockey's agent people called
Yummy; he was with his client Johnny Pollard, a
flame-haired former prize fighter. Yummy liked to
refer to him by his boxing name, the Cougar, but
most knew him as Red. The two had totalled Yummy's
car a long way back, picked through the wreckage
to salvage their most essential belongings--27 cents
and half a pint of a wretched brandy they called
"bow-wow wine"--and thumbed their way
to the track. Desperate for work, they wound through
the shed rows, petitioning nearly every trainer
on the grounds. No one was willing to give Pollard
a leg up on a horse.
The last barn they visited was run by an obscure
trainer named Tom Smith, a jut-jawed old cowboy
whose horsemanship ran its roots back through frontier
cattle drives, the Boer War and a travelling Wild
West show. Smith had come east with his new boss,
San Francisco automobile magnate Charles Howard,
in search of horses for Howard's racing stable.
Owner and trainer needed a jockey sturdy enough
to handle their new purchase, a rough, tempestuous
colt named Seabiscuit, and Smith thought Pollard's
boxer physique might do the trick.
The lives of three vastly different men had come
to an intersection, and their crowded hour had begun.
The improbable partnership they would form would
cultivate each man's greatest, untapped talents,
define a pivotal American era and turn a battered
little horse into one of the century's most celebrated
popular heroes.
Each of the men had traveled a long, hard road to
the summer of 1936. For Charles Howard, the journey
had begun in New York in 1903, when the young cavalry
veteran quit his job as a bicycle repairman and
headed west to try his luck. Arriving in San Francisco
with two dimes and a penny in his pocket, he set
up a bicycle repair shop downtown. His timing was
perfect. It was the dawn of the automobile age,
and the few locals who had invested in horseless
carriages were discovering a flaw in the wondrous
machines: Unreliability. The industry was so new
that garages didn't yet exist, so owners began bringing
their ailing cars to the closest thing to an automotive
mechanic in the city, Charles Howard.
Tinkering with the "gasoline buggies,"
Howard became fascinated with the new technology,
foresaw a revolution and headed to Detroit. There,
he introduced himself to Will Durant, chief of Buick
automobiles and future founder of General Motors.
Howard walked away with the Buick franchise for
all of San Francisco. It was 1905, and he was not
yet 30 years old.
With three Buicks in tow, Howard returned to San
Francisco, where he met a hostile marketplace. His
commodities, which churned up dust clouds and bogged
down in mud, were banned in the city's tourist areas.
With no local gas stations, owners had to lug fuel
cans to drugstores, filling them for 60 cents a
gallon. And the "devilish contraptions"
were prohibitively expensive, costing twice the
average annual salary. As Howard wheeled his automobiles
into his makeshift showroom, the parlor of his bicycle
shop, his success was far from assured.
His turn of luck came in hideous guise. At 5:12
A.M. on April 18, 1906, the earth beneath San Francisco
heaved inward upon itself and liquified in a titanic
convulsion. In 60 seconds, the city shuddered down.
Fires licked to life and raced over the ruins towards
Howard's shop, consuming four city blocks per hour.
The horse-drawn city was in dire need of transport
for water, firemen, the injured and 250,000 homeless--more
than half the population--but conventional vehicles
were crippled as wagon horses sagged from exhaustion.
Howard, owner of three erstwhile unsalable automobiles,
was suddenly the richest man in town. His cars joined
others to become a lifeline, ferrying the wounded
and probably bearing Army explosives used to blast
burn-proof zones. As the fire swept toward them,
soldiers and firefighters packed Howard's shop and
the surrounding buildings with dynamite and detonated
all in a desperate attempt to prevent the flames
from swallowing the last of the city.
Howard, like virtually everyone else, lost everything.
But as San Franciscans started over, Howard took
the opportunity to lure them into the automotive
age. The earthquake had proven the automobile's
superiority to the horse in utility; two weeks after
the quake, a day's rental of a sound horse and buggy
was $5, while a two-seated runabout fetched $100
per day. Howard set out to prove its durability.
He tested his Buicks in speed races, hill climbs
and "stamina" runs, in which contestants
raced up and down a local road until their beleaguered
automobiles burst into flames or shed their wheels--the
last one rolling was the winner. His aggressive
promotion worked. By 1908, the one-man Howard Automobile
Company had sold 85 two-lunger White Streaks at
$1,000 each. "The day of the horse is past,
and the people in San Francisco want automobiles,"
he wrote that year. "I wouldn't give five dollars
for the best horse in this country."
He was half right. With the fortune yielded by his
auto distributorship--by the 1920's, the world's
biggest--Howard turned to philanthropy, building
a hospital and providing free care for tubercular
children. In 1932, after his first marriage ended,
he thrilled the society columnists by marrying Marcela
Zabala, a beautiful former convent student who had
generated considerable local fame as an actress.
In 1933, they took aim on a new venture, horse racing,
a pastime that was enjoying such explosive growth
that it would soon be far and away the most heavily-attended
sport in America. Pari-mutuel racing had been banned
in California for thirty years, but to boost revenues
badly depleted by the Depression, the state legislature
had just legalized it again. Betting that the sport
would catch on in the state, the Howards invested
heavily in the founding of the lavish Santa Anita
Racecourse on the apron of the San Gabriels. The
track inaugurated the $100,000 Santa Anita Handicap,
the richest race in the world, and the Howards hung
their hearts on winning it. They bought 15 Thoroughbred
yearlings and went looking for a trainer.
Horses had been the silent study of Tom Smith's
long life. As a boy on the western frontier, he
had ridden in the last of the great cattle drives
before being hired as a horsebreaker at just 13
years of age. In 1899, the dour, taciturn young
man, known as "Silent Tom," began breaking
American mustangs for use by the British in the
Boer War, gentling as many as 30 horses per day
for a daily wage of about $2.40. After the order
for 50,000 horses had been filled, he became a cowpony
trainer, veterinarian and blacksmith at a Colorado
cattle range.
In 1923, after a brief stint training six woeful
horses for rodeo relays, Smith signed on with "Cowboy
Charlie" Irwin, a rancher who operated two
businesses: a massive stable of two-bit racehorses,
and a travelling Wild West show featuring stagecoach
robberies, chariot races, pony express runs and
relays. Smith first worked as a caretaker for the
show's horses. He lived a nomadic, sometimes squalid
life, eating out of horse stall kitchens and eventually
going unpaid when the Depression killed business.
But during one stretch, he was given some of Irwin's
racehorses to train, and he made the most of it:
At a little bullring in Cheyenne, his trainees won
29 of 30 races. The next year, during a slump for
his stable, Irwin recalled Smith's Cheyenne triumphs
and sent him to Seattle to train a string of horses.
Smith gave Irwin his greatest season in racing.
In his meandering path along the American frontier,
Smith had cultivated a wordless, near- mystical
communion with horses. He knew their minds and how
to sway them, he knew their bodies and how they
telegraphed every emotion and sensation, and his
quiet hands were a tonic for their ailments. His
rustic methods and obsessive devotion to his job
often struck other trainers as peculiar; he slept
in rooms above his horses' stalls, and stood quietly
by them for hours, just studying them. He carried
a stopwatch--"one of those newfangled timepieces"--but
never used it; he had an uncanny ability to judge
a horse's pace by sight, and he resented any distraction
which might make him miss a nuance of motion. He
lived by a single maxim: "Learn your horse."
But success was fleeting. Irwin died in 1934, and
his barn was dissolved. Tom Smith was nearly 60
years old, flat-broke and unemployed at the depths
of the Depression. He wandered around the western
racing circuit, mucking stalls and grooming horses.
One of his charges was a horse named Oriley, who
toiled in bottom-level selling events called claiming
races. When the horse's owner retired, Smith inherited
Oriley. He rebuilt the horse and soon had him winning
low-grade races. But Smith was in trouble, barely
able to survive off of the meager earnings of a
one-claimer stable and living in a horse stall.
His deliverance came via an accident of proximity:
Oriley bedded down near the horses of a wealthy
owner named George Giannini. Giannini saw Smith's
progress with Oriley and introduced the old cowboy
to his friend Charles Howard.
Howard had the means to hire the nation's most famous
trainers, and Smith was nowhere near their class.
The two men stood in different parts of the century,
embodying two currents of American life in their
era. Smith, a true frontiersmen, won over his slow,
hard days with calloused, capable hands; Howard,
a forward-thinking mass marketer, was paving Smith's
old West under the urgent wheels of his automobiles.
But Howard had already shown his ability to recognize
potential in unlikely packages, and he had a cavalryman's
eye for horsemen. Smith got the job.
On June 29, 1936, Tom Smith stood by the track rail
at Massachusetts' Suffolk Downs, weighing the angles
and gestures of low-level horses as they streamed
to the post. Midway through the post parade, a weedy
three year-old bay halted before the trainer and
looked at him with a regal expression completely
unsuited to such a rough-hewn animal. The two looked
at each other for only a moment before the pony
boy tugged the colt on his way.
Smith flipped to the horse's profile in the track
program. The colt was descended from the mighty
Man o' War through his sire, Hard Tack, a majestic
animal who had squandered his talent in racetrack
rages. But this creature's stunted build did nothing
to recall the beauty and breadth of his forebears.
His body was a study in unsound construction. His
short legs, sporting asymmetrical knees that didn't
quite straighten all the way, gave him a crouching
stance and an odd, inefficient "eggbeater"
gait that one writer likened to a duck waddle. His
career had been noteworthy only in its appalling
rigor. He had raced a staggering 35 times as a two
year-old, at least three times the typical workload.
He had found no takers in claiming races, running
for yard sale pricetags. His owner even tried to
hawk him to her brother as a polo pony, but the
man took one look at those legs and passed. So the
colt labored on, and by the time Smith saw him,
his punishing schedule had left him with permanent
foreleg ailments and a manner that one jockey described
as "mean, restive and ragged."
But somehow, that afternoon, the colt won his race.
While being unsaddled, he again focused his gaze
on Smith. A man for whom words were encumbrances,
Smith didn't take note of the name, but he learned
the horse nevertheless. He was a colt whose quality,
an admirer would write, "was mostly in his
heart, and Tom Smith had been the first to recognize
it." Smith spoke to the colt as he was led
away: "I'll see you again."
In a private box above Saratoga Racecourse one month
later, Charles and Marcela Howard surveyed a field
of generic claimers. Charles pointed to an especially
wretched colt named Seabiscuit and asked his wife
what she thought of him. She offered a wager of
a cool drink that the horse would lose, watched
as the colt led from wire to wire, and bought her
husband a lemonade. Sitting together in the clubhouse
that afternoon, husband and wife felt a pull of
intuition. Howard shared it with Smith, who walked
to the stables to see the horse and found himself
face to face with the colt he had seen at Suffolk
Downs. Howard wrote a check for $7,500 and bought
the colt.
Tom Smith inherited a sore, weary animal. He was
two hundred pounds underweight and so nervous that
he paced in his stall, lathered up upon being saddled
and refused to eat. On the track, he displayed blistering
speed but sulked when urged, bolted when checked,
zigzagged and raised holy hell in the starting gate.
In the barn, he terrorized the grooms. On the train
to Detroit, Howard's next destination, Seabiscuit
panicked so badly that sweat streamed from his belly.
Smith drew upon sixty years of frontier remedies
to rehabilitate his charge. He doctored his body
with homemade liniment, leg braces and knee-high
bandages, and focused his mind by fitting him with
blinkers that blocked his peripheral vision. To
cure him of his obstreperousness, Smith waited for
him to bolt, then simply let him go; Seabiscuit
sprinted hell-for-leather around and around the
track, attempted to leap the infield fence, came
back exhausted and never tried it again. To soothe
the colt's nerves, Smith showered him with affection,
knocked down the wall between two stalls and moved
him in with three roommates. One was a stray dog
named Pocatell. A second was a spider monkey named
Jo Jo. The third was a placid yellow cattleroping
horse named Pumpkin, who would travel with Seabiscuit
for the rest of his life. Playing with his bunkmates
by day and sleeping with Jo Jo in the nook of his
neck and Pocatell on his belly by night, Seabiscuit
relaxed. Smith's headstrong colt was ready for training.
He needed a very strong rider.
The jockey who walked into Tom Smith's barn in the
summer of 1936 had learned early the sharp turns
that fortune could take. In 1925, at just 15 years
of age, Johnny Pollard had abandoned his formal
education and his boyhood to ride racehorses. His
parents, bankrupted by a flood that had wiped out
their business and forced them to barter to support
their six children, let him go on the condition
that a family friend escort him. Johnny was taken
to the little racetracks of Butte, Montana to learn
the reinsman's trade. Soon after their arrival,
the guardian abandoned Johnny, leaving the boy to
fend for himself. Though his five foot seven inch
height left him towering over other jockeys, Johnny
wangled his way into the local fairs to ride racing
Quarter Horses around ovals cut through hay fields.
In spite of his talent, he didn't win a race for
at least a year. To earn money for food, he moonlighted
as a prize fighter, boxing under the name "The
Cougar" in bouts at cowtown clubs. He lost,
he said, "a lot of 'em."
From Butte, Pollard went to British Columbia and
the bullring tracks of Vancouver, where he became
an apprentice jockey, or "bug boy," contracted
to ride for free for room and a $5 weekly food allowance.
Racing in Vancouver in summer and Tijuana in winter,
Pollard spent his days aboard the trainer's horses
and his nights on a cot in a horse stall. Red, as
most now called him, liked to play practical jokes,
sometimes went hungry for lack of money, quoted
aphorisms from Omar Khayyam and Emerson- -"Old
Waldo"-- and became known as a buoyant, witty,
brainy kid. He had chosen a grinding profession.
In exchange for the exhilaration of mastering 1,200
pound animals at 45 mph, he subjected himself to
torturous regimens to make the roughly 110-pound
maximum riding weight. For most riders, this involved
induced vomiting, laxatives, abusive exercise regimens
and sweating rituals, sometimes including immersion
in the fermenting track manure pit. Once a journeyman,
he earned just $15 per winner, $5 per loser, minus
fees for laundry ($.50), valet ($1) and agent (10
percent).
Worse was the sheer peril of his workday. His only
protection was a cardboard skullcap; lacking a chin
strap, it usually popped off before a rider hit
the ground, and was rendered even less useful when
jockeys cut out the lining and crown to lower their
riding weight. Serious injuries were inevitable,
but there was no protocol for handling them. In
1927, when the jockey Earl Graham broke his back,
he was left on a saddle table until long after nightfall,
when it was convenient for someone to drop him at
a hospital. He died ten days later. Finally, like
virtually every other jockey, Pollard couldn't afford
the sky- high insurance rates his job warranted,
and tracks, fearing rider unionizing, blocked jockeys'
efforts to create their own insurance. When Tommy
Luther, who had originally been slated to ride Graham's
fatal mount, tried to create an injured rider's
fund, he was banned from riding for a year. The
lucky lost their savings and jobs when injured;
the unlucky lost their lives. Very early in Pollard's
career, a horse kicked debris into the back of his
head. The blow cost him the sight in his right eye.
Though the blindness greatly compounded his risk,
Pollard kept it secret and kept riding.
In the 1930's, Pollard moved
his tack to New York. His career foundered. By
1936, he was being booked on fewer and fewer horses,
and rarely won. By the time he reached Detroit,
he was drifting into the great slipstream in which
many promising jockeys are lost, their talents
never tried for lack of the skilled trainer, the
wise owner, the gifted horse. But in Tom Smith,
Pollard met a man who was intimately familiar
with his hardscrabble world. Smith had a hunch
that the jockey's boxer body and long tenure with
troubled bullring horses would suit the explosive,
neurotic Seabiscuit. He was right. The lost young
man and the edgy little colt took to each other
immediately, and Pollard won the job riding the
horse he called "Pops."
In Smith and Pollard's care,
Seabiscuit was transformed. In the barn, he became
an easygoing, disarmingly affectionate glutton,
"as gentlemanly a horse," said Smith,
"as I ever handled." On the track, he
displayed astonishing speed and bulldog tenacity.
He had two weaknesses. One was a perpetually iffy
left foreleg. The other was an evil sense of humor.
He seemed to take sadistic pleasure in harassing
and humiliating his rivals, slowing down to taunt
them as he passed and pulling up when in front
so other horses could draw alongside, then dashing
their hopes with a killing burst of speed. But
in a fight, he was all business. "Once a
horse gives Seabiscuit the old look in the eye,
he begins to run to parts unknown," said
Pollard. "He might loaf sometimes when he's
in front and think's he's got the race in the
bag. But he gets gamer and gamer, the tougher
it gets."
It took two months of minor-league test races
and intensive schooling to get the bugs out. In
Seabiscuit's first two races, he ran greenly but
still claimed a fourth place and a third place.
In his third start, he won a minor stakes race,
earning back half his purchase price, then won
a bigger one two weeks later. Smith sent his newly-polished
competitor to New York, where he won the prestigious
Scarsdale Handicap in track record time. Then,
like his owner 30 years before, Seabiscuit travelled
from New York to San Francisco to conquer the
West. In Howard's hometown, he racked up electrifying
victories in two major races, just missing two
world records. He began 1937 at Santa Anita, where
he trounced the superb closer Rosemont. Elated
with Seabiscuit's success, the Howards dropped
Seabiscuit's name in the entry box for the Santa
Anita Handicap.
On February 27, 1937, 60,000 fans gathered to
see the first of Seabiscuit's three appearances
in the Handicap, an event that would come to define
him. In a massive field of 18 horses, including
favored Rosemont, Seabiscuit was crowded at the
start, forcing Pollard to check him. On the backstretch,
he began picking off horses in a rush, moving
from ninth to fourth in a few yards. As they turned
for home, Pollard threaded Seabiscuit through
a hole and drove him to a commanding lead. Behind
them were 17 of the best horses in the nation.
Ahead was nothing but a furlong of red soil.
Pollard and Seabiscuit thought
they had it won. The jockey sat absolutely still,
his whip idle against his mount's shoulder. Seabiscuit
pricked his ears and waited for someone to mock,
seeing nothing around his half-moon blinker cups
but the vacant track ahead of him. Neither horse
nor jockey seemed to notice that toward the grandstand,
rallying furiously, was Rosemont, swallowing a
foot of Seabiscuit's lead with every stride. At
the last moment, Seabiscuit saw his rival and
lunged for a photo finish. He was too late.
Though Seabiscuit had lost, he was rapidly becoming
a phenomenal celebrity. Two factors converged
to create and nourish this intense popularity.
The first was Charles Howard. A born ad man, Howard
courted the nation on behalf of his horse much
as he had hawked his first Buicks, carefully matching
Seabiscuit's image to the public pulse and undertaking
exhaustive promotion that presaged the modern
marketing of athletes. Crafting daring, unprecedented
coast-to-coast racing campaigns, he would ship
Seabiscuit over 50,000 railroad miles to showcase
his talent at 18 tracks in seven states and Mexico.
The second factor was timing. The nation was sliding
from unrelenting economic ruin into the whirling
eddy of Europe's cataclysm. Seabiscuit, Howard,
Pollard and Smith, whose fortunes swung in epic,
poetic parabolas, would resonate in any age. But
in these cruel years, the peculiar union between
the four transcended the racetrack.
The result was stupendous popularity. In one year,
Seabiscuit garnered more newspaper column inches
than Roosevelt, Hitler, Mussolini or any other
public figure. Every detail of his life was good
copy; Life even ran a pictorial on his facial
expressions. Cities had to route special trains
to accommodate the invariably record-shattering
crowds that came to see him run. He was swarmed
by adorers at even the most remote of whistlestops,
and requests for posing sessions came so incessantly
that Smith, fearing Seabiscuit wouldn't get any
rest, hoodwinked the press by trotting out a look-alike.
Such fame fueled the immediate, immense success
of Howard's Santa Anita and California's new racing
industry, today a $4 billion business.
Equipped with a chastened
Pollard and blinker eyecups with rearview peepholes
cut in them, Seabiscuit embarked on a spectacular
tear through the elite races of California, New
York, Rhode Island, Massachusetts and Maryland,
winning ten major events, eclipsing five track
records and bankrolling 1937's highest earnings.
But he was not named Horse of the Year. The emergence
of greatness in any discipline is a rare event,
but by fantastic luck, Seabiscuit had been born
just a year before an eastern horse named War
Admiral, an exquisite, near-black colt whose talents
and achievements were comparable to his own. Though
he had never met Seabiscuit, on the strength of
his unbeaten season, during which he became just
the fourth horse in history to sweep the Triple
Crown, War Admiral was voted Horse of the Year.
The ballot did not settle the issue. The nation
was rapidly dividing into fervid Seabiscuit and
War Admiral camps, the dispute taking on an East
vs. West flavor. One of the century's most famous
sports rivalries was born.
Seabiscuit's second try at the Santa Anita Handicap
was just weeks away when Red Pollard, riding Howard's
mare, Fair Knightess, in a race at Santa Anita,
was caught in a pileup after a horse ahead of
him stumbled. Badly hurt, he lingered near death,
then stabilized. He was told he would not ride
again for at least a year.
With Seabiscuit riderless for Santa Anita Handicap,
Pollard suggested that Smith hire George Woolf,
Pollard's best friend since their bug boy days.
The son of a bronc buster and a circus rider,
Woolf was a handsome, independent, utterly fearless
young man. He also may have been the single greatest
talent his sport ever saw. He could, horsemen
marveled, "hold an elephant away from a peanut
until time to feed," timing his mounts' rallies
so precisely that he regularly won races with
breathtaking, last- second dives. He knew his
horses and everyone else's, and blew contests
wide open by ruthlessly exploiting his rivals'
weaknesses. Pollard, famously, took credit for
giving Woolf his nickname, "The Iceman,"
explaining it thus. "In all the smoking car
stories I have ever heard, icemen and travelling
salesmen were very immoral characters. George
does not have a pleasing enough personality to
be a travelling salesman." The Iceman had
only one hint of athletic mortality: Diabetes.
He made a dangerous habit of juggling insulin
dependence and drastic reducing, running a high
risk of fainting in the saddle.
Woolf got the job and did his homework, learning
every contour of Seabiscuit's personality from
the hospitalized Pollard. He knew the horse to
beat was Stagehand. The Santa Anita Handicap,
like every race Seabiscuit ran, was a handicap,
in which better horses carry higher weights to
increase longshots' chances of winning. As usual,
Seabiscuit was assigned by far the highest weight,
this time a backbreaking 130 pounds, an impost
that had proven too much for most of history's
greatest horses. Stagehand, fresh off four straight
victories, was assigned just 100 pounds, a preposterously
light load. As every two to three pounds is believed
to slow a horse by one body length at the distances
Seabiscuit ran, 30 pounds was a massive concession,
and Woolf knew it. Stagehand's silks and those
of another competitor, his brother Sceneshifter,
were identical, but for a single difference, a
white cap on Stagehand and a colored cap on Sceneshifter.
Woolf noted the difference and suited up to run
down Stagehand as an ashen, anxious Pollard left
his hospital bed to sit with Marcela Howard on
the grandstand roof.
As Seabiscuit broke from
the gate, he was broadsided by another horse,
knocking him nearly to the ground and vaulting
Woolf up onto his neck. By the time the jockey
shinnied back into place, he and his mount were
trapped in a pack of stragglers. On the backstretch,
a hole between horses opened before them. Seeing
the white cap bobbing ahead and fearing it would
be his only chance to break loose, Woolf drove
Seabiscuit through the gap and into a premature,
open-throttle drive with six furlongs still to
be run. In the next half mile, in which he swept
past the entire field, Seabiscuit was clocked
at 44-1/5 seconds, two seconds--the equivalent
of some fourteen lengths--faster than the world
record. He ran up alongside the white cap, and
the horse beneath it faltered, exhausted, and
dropped back. Seabiscuit hit the stretch in front
and backed off to wait for challengers.
On the far outside, a closer broke clear of the
pack and drove toward Seabiscuit as Rosemont had
done a year before. Woolf glanced back. It was
Stagehand. After a moment's confusion, he had
a terrible realization: The caps of Stagehand
and Sceneshifter had been switched, and Woolf
had spent Seabiscuit's rally too early, in pursuit
of the wrong horse. Riding furiously, Woolf asked
Seabiscuit for still more speed. Stagehand drew
even, and incredibly, Seabiscuit accelerated to
match him. After a ferocious, head-bobbing duel,
the pair tripped the win photo together. Stagehand
had outbobbed Seabiscuit by two and a half inches.
Atop the grandstand, Marcela and Red wept.
On the same afternoon, beneath the drowsing palms
of Florida's Hialeah Racecourse, War Admiral cantered
to his 10th consecutive win. The desire for a
Seabiscuit-War Admiral match had become an international
obsession. When New York's Belmont Park offered
a dazzling $100,000 for a May match, Howard accepted
the challenge and shipped Seabiscuit east, but
a flare-up in Seabiscuit's bad leg forced a cancellation.
In June, both horses were entered in the Massachusetts
Handicap, and 70,000 fans packed into Suffolk
Downs to see it. But minutes before post time,
Smith unwound Seabiscuit's leg wraps and discovered
that the horse had reinjured the leg. Seabiscuit
was scratched again, but after convalescing, returned
to California and carried 133 pounds to win the
Hollywood Gold Cup in record- smashing style,
then nipped Bing Crosby's Ligaroti in a raucous
match race. Howard, hoping to meet War Admiral,
brought Seabiscuit back east.
If the match race was going to occur, Red believed
he would see it from Pops' back. By the summer
of 1938, his body had healed, and he joined Seabiscuit
in Massachusetts. One morning, fresh off of Pops
and in jubilant spirits, he offered to ride a
colt for another trainer. The colt rammed Pollard
through the track rail and into the side of a
barn, nearly severing the jockey's leg. Howard
flew in a team of prominent doctors. They told
Red he might never walk again.
What the famed sportswriter Grantland Rice would
call the greatest horse race he ever saw was conceived
in the fall of 1938 by Alfred Vanderbilt, the
26 year-old president of Baltimore's Pimlico Racecourse.
Vanderbilt wanted to host a Seabiscuit-War Admiral
match, but he was playing with a weak hand; his
track could offer only a tiny fraction of the
purse Belmont had put up. War Admiral's choleric
owner, Samuel Riddle, erected his own obstacles,
declaring that he would not run his colt from
a conventional gate, preferring instead an antiquated,
gateless "walk-up" start. But Vanderbilt
was a master diplomat. Sixty years later, he recalls
forging a deal by appealing to Riddle and Howard's
one shared attribute, sportsmanship. "I told
them that this was just a little track and we
couldn't put up a lot of money, but that it would
be a good thing for racing, which they both liked,"
Vanderbilt remembers. "It took a little doing."
Ultimately, Howard bowed to Riddle's demands,
and Vanderbilt rushed to Manhattan's Penn Station,
intercepted Riddle between trains, and refused
to let him board until he signed the contract.
Riddle gave in. The mile and three-sixteenths
Pimlico Special was set for November 1, 1938 for
a winner-take-all purse of $15,000. Each owner
would put up $5,000, and each horse would carry
120 pounds and break from a walk-up start.
Though Seabiscuit was the sentimental choice,
War Admiral was the overwhelming betting favorite,
and he deserved to be. The most decisive weapon
of match races is early speed, and in this department,
the Triple Crown winner had a critical edge. While
Seabiscuit liked to stalk pacesetters, War Admiral
was a half-ton catapult, and he had drawn the
favorable inside berth. That Seabiscuit could
outbreak War Admiral was inconceivable, and most
experts predicted that the race would be over
the instant Riddle's colt rocketed off the line.
Tom Smith had other ideas. "I'll give them
birds the biggest surprise they ever had in their
lives," he told a friend. "I'm going
to send Seabiscuit right out on the lead."
He began by fashioning a starting bell from an
alarm clock and telephone batteries and encasing
it in a homemade redwood box with a button on
the outside. He led Woolf and Seabiscuit to the
training track. Standing behind Seabiscuit with
a buggy whip, he hit the bell just as he tickled
Seabiscuit's flanks with the whip and Woolf broke
into frantic urging, sending Seabiscuit lunging
forward. Woolf brought him back, and the drill
was repeated. By the third repetition, Seabiscuit
was long gone before Smith could wave the whip.
The trainer then pitted the colt against top sprinters,
sending them through countless walk-up starts
to condition Seabiscuit to pour every amp of speed
into the break.
Between workouts, Woolf traveled to the hospital
to consult with Pollard. In traction, the redhead
was swigging bow-wow wine Yummy had smuggled in
and reciting Old Waldo to the nurses; he was trying
to woo one of them, a beauty named Agnes, away
from a resident doctor. Pollard told Woolf to
gun to the lead at all costs, but to prevent Seabiscuit
from loafing, let War Admiral catch up. Then,
he concluded, "race him into the ground."
On the eve of the match,
Woolf walked onto the Pimlico track alone, flashlight
in hand. Rain had fallen that week, and Woolf
worried that Seabiscuit would flounder on a damp,
soft track. "'Biscuit wants to hear his feet
rattle," he liked to say. The jockey scoured
the track for the driest path, and at the top
of the stretch, he found a hardened tractor wheel
imprint, circling the course several feet from
the inner rail. The path was obscured by harrows,
so Woolf walked the track again, memorizing its
location. "I knew it," he said, "like
an airplane pilot knows a radio beam."
Vanderbilt, concerned that
16,000-seat Pimlico would be overwhelmed by spectators,
had scheduled the match for a Tuesday in hopes
that fewer people would attend. It was no use.
A record crowd of 40,000 wedged into the little
track. When the stands overflowed, 10,000 people
spilled into the infield, bristling over the steeplechase
fences and pressing against the infield rail inches
from the horses. The clubhouse was so mobbed that
NBC radioman Clem McCarthy couldn't reach his
post, and was forced to call the race while perched
on the track rail. His voice crackled over the
radio waves to millions of listeners, including
President Roosevelt, who delayed a press conference
to hear the call.
At four o' clock, War Admiral and Seabiscuit stepped
onto the track. The elegant War Admiral was a
grand favorite, whirling and bobbing. Seabiscuit
followed in his customary plodding way, "demurely
as a deacon." On his saddlecloth, Marcela
had pinned her medal of Saint Christopher, patron
saint of travelers. Before a crowd, wrote Rice,
"keyed to the highest tension I have ever
seen in sport," Woolf worked to fray War
Admiral's famously delicate nerves. While the
Triple Crown winner waited with growing agitation
at the starting line, Woolf put Seabiscuit into
a long, lazy warmup, sailing past his rival and
answering demands that he bring up his mount with
a shrugging reply that he was under orders. After
an agonizing delay, he walked Seabiscuit to the
line. The starter's arm, flag in hand, went up.
The two noses passed over the line together, and
the arm came down.
At the sound of the bell, Seabiscuit awoke from
his reverie to uncork the greatest burst of speed
of his life. To the crowd's utter amazement, War
Admiral could not keep up. Woolf drove Seabiscuit
to a clear lead, then looked back, laughing, and
dropped inside to claim the tractor wheelpath,
instantly nullifying War Admiral's post position
edge. He cruised into the backstretch on a two-length
lead, and Woolf, heeding Pollard's advice, began
to reel him in. To his outside, War Admiral started
to roll. At the half mile pole, he was in full
cry as he swept alongside Seabiscuit, who dug
in, cocked an ear toward his rival, and refused
to let him pass. For more than half a mile, the
two dueled shoulder to shoulder. Then, as 40,000
voices shouted them on, War Admiral pushed his
head in front.
Seabiscuit and the Iceman
had been waiting for him. Woolf looked at War
Admiral, and saw the depth of the colt's effort.
"His eye was rolling in its socket as if
the horse was in agony," he said later. "I
knew we had him right then." He dropped low
over the saddle and called into Seabiscuit's ear,
asking him for everything he had. Seabiscuit gave
it to him, delivering a breathtaking rally that
carried him back to the lead. War Admiral's mouth
dropped open; he had had enough. Seabiscuit galloped
down the lane alone, ears wagging, as hundreds
of joyous fans stretched their hands out over
the rail to brush his shoulders. He hit the wire
four lengths in front in near-world record time,
completing what Rice called "one of the greatest
competitive efforts I have ever seen." As
thousands of frenzied spectators breached the
rails and poured onto the track, a laughing Woolf
stood in the irons and looked back at War Admiral,
gesturing in triumph. After the race, an envelope
from Woolf arrived at Pollard's hospital room.
Inside was $1,500, half of the jockey's purse.
Seabiscuit was crowned Horse of the Year, but
there remained one contest the Howards yearned
to see him win: the Santa Anita Handicap. The
horse returned to Santa Anita in January, 1939
to prepare for a third try at the race. But as
Seabiscuit made his move for the lead in his prep
race, Woolf heard a sharp crack, and the horse
began to lurch. Woolf bailed out and dragged him
to a halt. Seabiscuit's long-ailing left front
tendon had ruptured at last, and his career was
surely over. He was in his stall when his stablemate,
Kayak II, won the Santa Anita Handicap. Marcela
felt hollow.
For nine months, Seabiscuit
stalked the fences at Howard's Ridgewood Ranch,
fat and stir-crazy, trying to race deer who wandered
nearby. Pollard, after several leg operations,
left the hospital on crutches. He was now engaged
to Nurse Agnes, but he was so frail that she was
certain he was dying. A friend likened his leg
to a charred broomstick. Medical bills had bankrupted
him, and he had nowhere to go, so the Howards
took him in at Ridgewood. There the invalid horse
and jockey commiserated. Once Seabiscuit's lameness
was gone, Pollard and Howard began cinching the
horse into a stock saddle each morning. Red was
too weak to hold the horse, so Howard lifted him
into the saddle, swung aboard a lead pony and
led the two around the meadows, gradually increasing
the length and speed of each outing. "Our
wheels went wrong together, but we were good for
each other," said Pollard. "Out there
among the hooting owls, we both got sound again."
By year's end, Seabiscuit
was dollar sound, and Smith and the Howards decided
to give him one more shot at the Santa Anita Handicap.
Pollard's leg was so brittle that he needed a
steel brace to prevent it from snapping, and he
was under strict orders never to ride again. "One
little tap," Pollard said. "Just one."
But he couldn't bear to watch Pops race without
him. He also had a family to think of; he had
married Nurse Agnes, she was expecting a child,
and he was dead broke. Howard reluctantly gave
him permission to ride. The comeback, if successful,
would be utterly unprecedented; no horse had ever
returned to top form after such a serious injury
and lengthy layoff. In addition, Seabiscuit was
seven years old now, more than twice the age of
some of his rivals. But Howard, Smith and Pollard
thought he could do it. Seabiscuit and Pollard
set out for Santa Anita to chase the one dream
that had eluded them. "Old Pops and I have
got four good legs between us," said Pollard.
"Maybe that's enough."
As Seabiscuit and Pollard stepped onto the track
for the 1940 Santa Anita Handicap, the record
crowd of 78,000 delivered two emotional standing
ovations. Howard watched his old warrior go from
the paddock, his hands shaking so badly he couldn't
light his cigarette. Marcela hid in the quiet
of the barn. "I'd seen Johnny's leg,"
she explained. "I just couldn't watch it."
At the last moment, she changed her mind and ran
toward the track.
Seabiscuit broke well and settled into perfect
striking position around the first turn and down
the backstretch. As they leaned into the final
turn, Pollard had dead aim on the leaders and
an armful of horse beneath him. But a horse named
Wedding Call suddenly shouldered Seabiscuit into
a pocket, leaving Pollard standing half-upright
to hold back his mount, straining his bad leg
to the limit. There was no way out. Thinking that
bad luck would cost his horse victory a fourth
time, Pollard prayed aloud. A moment later, Wedding
Call drifted out and Pollard hung on as Seabiscuit
burst into the lead.
In the center of the track, a closer began to
roll into Seabiscuit's lead like a ghost from
his past. This time, it was Kayak II, his stablemate
and the defending champion. For the last time,
Seabiscuit eased up to tease a rival. Then, in
one monumental effort, he swept away from Kayak
to win the Santa Anita Handicap. He had run the
second-fastest mile and a quarter in American
racing history.
Across the track, Marcela
Howard stood atop a water wagon. She had scrambled
aboard just in time to see her horse realize her
dream.
"Little horse, what next?" wrote a sportswriter
after the race. In six years, Seabiscuit had won
33 races, set 16 track records and equalled another.
He was literally worth his weight in gold, having
earned a world record $437,730, nearly 60 times
his purchase price. The Howards brought their
horse home for good. The partnership was over.
On a January day six years later, George Woolf
slid into the Santa Anita starting gate for a
weekday race. At 36, he was feeling ill, and was
ready to put an end to one of the greatest riding
careers in history. But over Santa Anita's red
soil that afternoon, something happened. Some
witnesses thought his horse stumbled. But most
said they saw Woolf sink from the saddle, unconscious,
his dieting and diabetes finally taking their
toll. The Iceman struck the track head first.
He never woke up. At the funeral, Red sobbed as
he said goodbye to his friend of 20 years. "I
wonder, who has Woolf's book?" he said later.
"St. Peter, or some other bird?"
Tom Smith parted amicably with Howard and joined
Maine Chance Farm, where he became the nation's
leading trainer. But in 1945, a steward caught
a groom using a decongestant spray on Smith's
horse before a race. Though the spray wasn't performance-enhancing,
the horse tested negative and Smith likely didn't
know the drug was being given, the trainer was
held liable for his groom's actions and suspended
for a year. In his 70 years, Smith had never known
a life apart from horses. He spent his days sitting
alone outside Santa Anita, watching his sport
go on without him. Reinstated, he trained numerous
top horses, including Kentucky Derby winner Jet
Pilot, but he was omitted from the sport's Hall
of Fame for almost half a century after his death
in 1957.
Red Pollard retired after the Santa Anita Handicap
and began training horses, but soon resumed riding.
In 1942, he retired again to join the war effort,
but his body had taken such a beating that all
three services rejected him. He wound up back
in the bush leagues, booting horses around Rhode
Island's declining Narragansett Park, soon to
meet the bulldozer, where he and Pops once raced.
He continued to endure bonecrushing falls, but
kept riding, struggling to get by. "Maybe
I should have heeded the rumble of that distant
drum when I was riding high," he once said,
quoting Omar. "But I never did. Trouble is,
you never hear it if you are a racetracker. Horses
make too damned much noise." In 1955, his
career petered out. For a while, he worked at
backwater tracks, cleaning the boots of other
riders. By age seventy, his debilitating, ceaselessly
painful riding injuries landed him in a nursing
home built over the ruins of Narragansett Park.
There, for reasons no one ever knew, the eloquent
reinsman simply stopped talking. He lived out
the rest of his days in silence, and he died in
1981. No cause of death was found. It was as if,
says his daughter, Norah Christianson, "he
had just worn out his body."
As Seabiscuit settled into Ridgewood, drowsing
under an oak tree, happily herding cattle around
a pasture and greeting the 50,000 fans who eventually
came to see him, Howard faded. When his heart
became too frail for him to endure the tension
of seeing his horses run, he came to the track
anyway, sitting in the parking lot and listening
to race calls on the radio of his Buick. On pleasant
days, he would throw a saddle over Seabiscuit,
and together they'd canter into the hills and
lose themselves in the redwoods.
On the morning of May 17, 1947, Marcela met her
husband at breakfast and told him his rough little
horse was gone, dead of a heart attack at only
14 years of age. The sometime bicycle repairman,
whose own heart would fail him just three years
later, had the body carried to a secret site on
the ranch. After Seabiscuit had been buried, Howard
planted an oak sapling on the spot, telling only
his sons the location. The memory of what tree
entwines its roots with the bones of Howard's
beloved Seabiscuit died with them.
Editor's Note: Ms. Hillenbrand's
article on Seabiscuit first appeared in The Backstretch
magazine and won Ms. Hillenbrand the 1998 Eclipse
Award for magazine writing. Ms. Hillenbrand has
since written a full-length novel on Seabiscuit
which is being published by Random House and will
appear on bookstore shelves in early 2001. We
urge you to visit Ms. Hillenbrand's Seabiscuit
website for details about the forthcoming book,
a major motion picture based on the book, and
for more about the great racehorse himself.
Seabiscuit
Born: 1933
Died: 1947
Trainer: Tom Smith
Owner: Charles Howard
Jockey: Red Pollard, George Woolf
Breeder: Mrs. H.C. Phipps, Wheatley
Stable
Pedigree:
Seabiscuit,
b.c.
foaled 1933 |
Hard
Tack, 1926 |
Man
o' War, 1917 |
Fair Play,
1905 |
| Mahubah,
1910 |
| Tea
Biscuit, 1912 |
Rock Sand
(GB), 1900 |
| Tea's Over
, 1893 |
| Swing
On, 1926 |
Whisk
Broom, 1907 |
Broomstick,
1901 |
| Audience,
1901 |
| Balance,
1919 |
Rabelais
(GB), 1900 |
| Balancoire
(Fr), 1911 |
Racing Record:
| Year |
Age |
Starts |
1st |
2nd |
3rd |
Earnings |
| 1935 |
2 |
35 |
5 |
7 |
5 |
$12,510 |
| 1936 |
3 |
23 |
9 |
1 |
5 |
28,995 |
| 1937 |
4 |
15 |
11 |
2 |
1 |
168,580 |
| 1937 |
5 |
11 |
6 |
4 |
1 |
130,395 |
| 1937 |
6 |
1 |
0 |
1 |
0 |
400 |
| 1937 |
7 |
4 |
2 |
0 |
1 |
96,850 |
| Total |
|
89 |
33 |
15 |
13 |
$437,730 |
Career Highlights:
at 4:
- Champion Handicap Male
- 1st - San Juan Capistrano
H
- 1st - Massachusetts H
- 1st - Brooklyn H
- 1st - Yonkers H
- 1st - Bay Meadows H
- 1st - Riggs H
- 1st - Butler H
at 5:
- Horse of the Year
- 1st - Pimlico Special
(match race with War Admiral) (set NTR)
- 1st - Hollywood Gold Cup
- 1st - Bay Meadows H
at 7:
|